Vito Acconci Movies
- 1971

Centers
Centers01971HD
Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.
![Centers]()
- 1971

Breath In (To) / Out (Of)
Breath In (To) / Out (Of)01971HD
The screen is empty: the artist stands off-screen — he breathes in and out, his stomach moving into and out of the frame.
![Breath In (To) / Out (Of)]()
- 1970

Rubbings
Rubbings01970HD
"Acconci caresses his torso, then crushes cockroaches into his stomach and rubs them into his skin." - Electronic Arts Intermix
![Rubbings]()
- 1970

See Through
See Through01970HD
"Acconci spars with his close-up image in a mirror. He then breaks the mirror, destroying his image." - Electronic Arts Intermix
![See Through]()
- 1973

Visions of a Disappearance
Visions of a Disappearance01973HD
"Visions of a Disappearance is a newly restored performance tape that was recorded in Naples, Italy, in 1973. Crouched in a corner, hemmed in by the...
![Visions of a Disappearance]()
- 1973

Willoughby Sharp Videoviews Vito Acconci
Willoughby Sharp Videoviews Vito Acconci01973HD
This early document is a videotaped interview ("videoview") of Vito Acconci by Willoughby Sharp during which they discuss Acconci's development as an...
![Willoughby Sharp Videoviews Vito Acconci]()
- 1971

Training Ground
Training Ground01971HD
A super-8mm document (blown up to 16mm) of Acconci's performance of the same name in which he covered almost the entirety of the gallery space with a...
![Training Ground]()
- 1974

Open Book
Open Book01974HD
Acconci's open mouth is framed by the camera in an extreme close-up, bringing the viewer uncomfortably close. A desperate sense of strained urgency...
![Open Book]()
- 1973

Face-Off
Face-Off01973HD
Face-Off is an ironic collusion of private and public, of exposure and masking, a tense ritual wherein Acconci divulges and then censors his...
![Face-Off]()
- 1971

Waterways (Burst; Storage)
Waterways (Burst; Storage)01971HD
Using extreme close-ups and amplified sound to force the viewer into the space of his body, he experiments with his mouth as a container for saliva,...
![Waterways (Burst; Storage)]()
- 1974

Shoot
Shoot01974HD
Acconci imitates the sounds of war, gunfire and explosion; he thrusts his face, stomach or penis onto the screen. His childlike battle sounds are...
![Shoot]()
- 1973

Air Time
Air Time01973HD
Super-8mm footage documenting the gallery set-up for Acconci's exhibition AIR-TIME at Sonnabend Gallery in 1973.
![Air Time]()
- 1999

Steven Holl: The Body in Space
Steven Holl: The Body in Space01999HD
"Steven Holl: The Body in Space" explores the career of the innovative, highly renowned American architect. In this portrait Holl presents some of...
![Steven Holl: The Body in Space]()
- 1970

Three Adaptation Studies
Three Adaptation Studies01970HD
Three-part short film. In 'Blindfold Catching', a blindfolded Acconci reacts, flinching and lunging, as rubber balls are repeatedly thrown at him...
![Three Adaptation Studies]()
- 1972

Undertone
Undertone01972HD
"In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl...
![Undertone]()
- 1970

Open-Close
Open-Close01970HD
In this performance based tape, Acconci uses his body to explore notions of opening and closure.
![Open-Close]()
- 1970

Concentration/Contemplation Piece
Concentration/Contemplation Piece01970HD
A three and a half minute Super-8mm piece on concentration/contemplation by Vito Acconci.
![Concentration/Contemplation Piece]()
- 1970

Two Cover Studies
Two Cover Studies01970HD
"In Scene Steal, Acconci, fully clothed, tries to shield a nude woman from the camera. In Container, he wraps his nude body around a cat as if to...
![Two Cover Studies]()
- 1984

Election Tape '84
Election Tape '8401984HD
Steeped in black humor, this concise political critique is Acconci's contribution to artist Jenny Holzer's collaborative Sign on a Truck project,...
![Election Tape '84]()
- 1973

Reception Room
Reception Room01973HD
Acconci lies naked on a gurney-like table, rocking back and forth as a tape-loop of his voice describes his anxieties about exposing his body and his...
![Reception Room]()















